|
|
ACT ONE
Prologue
THE MUSEUM
Lights up on the Egyptian wing of a Modern Art Museum. A contemporary
crowd,
chic and beautifully dressed, is gathered around various artifacts, all
under glass: a small boat, a model
of a soldier with a bow and arrow, a
mannequin of AMNERIS, ancient female Pharaoh of Egypt. The crowd moves
appreciatively
around the exhibits. In the center of the room, also behind
glass, is a mysterious object - an ancient burial chamber,
a tomb. A man and
a woman also dressed in the fashions of today approach the tomb from
different sides. They are both
drawn to it. They circle it, intrigued as if
they have seen it before. The man is RADAMES; the woman is AIDA. In a
musical
moment, they look up. Their eyes meet and all the action in the room
freezes as AMNERIS, wearing a royal headdress, emerges
from the glass
encasement. As she sings, the cast of the modern museumgoers leaves the
stage.
1: EVERY STORY
AMNERIS
Every
story, tale or memoir
Every saga or romance
Whether true or fabricated
Whether planned or happenstance
Whether
sweeping through the ages
Casting centuries aside
Or a hurried brief recital
Just a thirty-minute ride
(AMNERIS
steps off of the pedestal and stands before the audience.)
Whether bright or melancholy
Rough and ready, finely
spun
Whether with a thousand players
Or a lonely cast of one
Every story, new or ancient
Bagatelle or
work of art
All are tales of human failing
All are tales of love at heart
(The lights change violently with
a rock and roll chord. Frozen on stage:
the Man staring at a model of the boat. The WOMAN looks at the figure of
the
Archer.)
This is the story
Of a love that flourished
In a time of hate
Of lovers no tyranny could separate
Love set into motion on the Nile's shore
Destiny ignited by an act of war
Egypt saw the mighty river as its
very heart and soul
Source of life for all her people
That only Egypt could control
Destruction of her southern
neighbor justified
Nubia exploited, left with little more than pride
Ohhhhhhhhhh.
ACT ONE
Scene One
A
SLAVE BARGE
As the WOMAN moves off with the model of the boat, large red sails fly in,
creating an Egyptian barge
on stage. EGYPTIAN SOLDIERS man the sails as
riches and the spoils of war are loaded on to the deck of the ship.
2.
FORTUNE FAVORS THE BRAVE
SOLDIERS
Oh, Oh
Fortune Favors the Brave
Oh, Oh
Fortune Favors the Brave
(RADAMES,
an Egyptian Army Captain enters.)
RADAMES
We have swept to glory,
Egypt's mastery expands
From the Nile's
northern most delta
To the dry, dry southern sands
The more we find, the more we see,
The more we come to
learn
The more that we explore,
The more we shall return
SOLDIERS
Oh, oh
Fortune favors the brave
RADAMES
It's
all worked out, my road is clear
The lines of latitude extend
Way beyond my wildest dreams
Toward some great triumphant
end
We seize the day
We turned the tide
We touched the stars
We mocked the grave
We moved into uncharted
lands
RADAMES & SOLDIERS
Fortune favors the brave
RADAMES
The more we find, the more we see
The
more we come to learn
The more that we explore
The more we shall return
Nothing is an accident
We are
free to have it all
We are what we want to be
It's in ourselves to rise or fall
This is easy to believe
When
distant places call to me
It's harder from the palace yard
Fortune favors the free
SOLDIERS
Oh, oh
RADAMES
Fortune
favors the young!
SOLDIERS
Oh, oh
RADAMES
Fortune favors the brave!
(Suddenly, AIDA and NUBIAN
WOMEN are pushed onstage. She stumbles. RADAMES
goes over to inspect the Nubians.)
RADAMES
What have we here?
SOLDIER
#1
We found them along the riverbank, Captain.
(SOLDIER pushes AIDA forward, into RADAMES' path.)
RADAMES
(to AIDA)
Your country is at war and you go wandering along the Nile's edge. Your must
have a burning desire to
see Egypt.
(to SOLDIER)
Put her in Chains
(SOLDIER begins putting AIDA in chains. RADAMES turns to another SOLDIER.)
Have
you finished the map?
SOLDIER #2
Yes, Captain.
RADAMES
Good work. But this is wrong.
(He traces his
finger over the map)
But this is wrong, from the mast it looked like it curved to the North...like
this. Here, let
me show you.
(AIDA has taken a sword from a drunken soldier and is pointing it at the
man who shackled her.)
SOLDIER
#1
My sword! My sword!
(AIDA sword fights with the soldiers, taking one captive.)
AIDA
Release them.
RADAMES
(Crossing
to AIDA)
Hand it over. Now!
AIDA
(She holds the sword close to the soldier's neck.)
You took us from Nubia...and
now you say we belong to you, yes?
RADAMES
Yes.
AIDA
Well, I took this soldier from your ranks. So, by
your own logic he belongs
to me. Now let them go.
(RADAMES smiles in acknowledgement, then points to THE WOMEN.
SOLDIERS
instantly grab them. AIDA lays down the sword. A SOLDIER snatches it up.)
SOLDIER #1
Throw her in the
River.
RADAMES
No, I have a better plan for her.
ACT ONE
Scene Two
RADAMES' QUARTERS
RADAMES
leads AIDA off as the set rises to reveal the ship's lower quarters.
Once in his quarters, RADAMES lifts his hand. AIDA
covers her face.
AIDA
Don't.
RADAMES
You don't want me to remove your shackles?
(She holds up her hands
for him and he unlocks her manacles.)
They'll only get in the way. Very impressive up there. I should enlist you
in
my army. Make you my Lieutenant.
AIDA
Are you mocking me, Captain?
RADAMES
No. Admiring you.
(He removes
his coat, dropping it to the floor almost as a dare.)
Do you know what's going to happen now? You're going to scrub the
filth of
battle from my skin.
(RADAMES sits on a stool in front of her. AIDA sees the basin of water and
the sea
sponge.)
It's been a long time since I've felt clean.
(AIDA begins to scrub his back with all her force.)
You're
much better with a sword than you are with a sponge.
AIDA
I wish I had a sword now.
RADAMES
There's mine.
Help yourself. Who taught you to use a weapon?
AIDA
My father.
RADAMES
Because he knows that Nubian men
can't protect their women?
(She straightens, furious.)
You're not finished.
AIDA
Yes, I am.
RADAMES
On
your knees!
(He stands to confront her.)
You enjoy living dangerous, don't you?
AIDA
About as much as I enjoy
washing your filthy Egyptian skin
(AIDA throws the sponge to the ground. RADAMES raises his hand to strike her.)
RADAMES
You...
3.
THE PAST IS ANOTHER LAND
AIDA
No...
You know nothing about me and care even less
How could you understand
our emptiness
You've plundered our wisdom, our knowledge, our wealth
In bleeding us dry
You long for our spirit
But
that you will never possess
The past is now another land
Far beyond my reach
Invaded by insidious
Foreign
bodies, foreign speech
Where timeless joys of childhood
Lie broken on the beach
RADAMES
What is your name?
AIDA
Aida...
SOLDIER
#3 (offstage)
Captain, we're ready to dock!
(RADAMES scoops up the shackles from the floor and forces them on AIDA.)
AIDA
Please,
leave them off.
RADAMES
You're a slave now! And if you want to survive you better remember it.
AIDA
The
present is an empty space
Between the good and bad
A moment leading nowhere
Too pointless to be sad
But time
enough to lay to waste
Every certainty I had
(The platform from RADAMES' ship appears onstage, as slaves exit
from the
ship and onto the dock.)
The future is a barren world
From which I can't return
Both heartless
and material
Its wretched spoils not my concern
Shining like an evil sun
As my childhood treasures burn
Shining
like an evil sun
As my childhood treasures burn
ACT ONE
Scene Three
THE DOCKS
The scene has now
changed to the docks in Egypt, where RADAMES' soldiers are
unloading the ship and securing the slaves. A MERCHANT enters,
carrying gold.
MEREB, RADAMES' young servant, enters after MERCHANT, carrying a few casks
of wine.
MERCHANT
Mereb,
Mereb...Is that the wine?
MEREB
You have the gold?
(They exchange gold and wine. The MERCHANT runs off. RADAMES
comes down the
platform and onto the docks.)
RADAMES
Mereb!
MEREB
(He stuffs the bag of gold down
his shirt, then turns.)
Master, I am so glad you've returned.
RADAMES
(Descending gangplank.)
Have you kept
my house in order?
MEREB
Yes, well except for a few casks of wine, which have mysteriously disappeared.
RADAMES
Again?
(ZOSER
and his MINISTERS enter from SR to RADAMES and MEREB.)
ZOSER
Here you are my son, home at last! Step aside Mereb!
MEREB
(He
bows to ZOSER)
Yes, oh Chief Minister Zoser... loved by the Gods, the people and himself.
ZOSER
Careful boy or
I'll have you...
RADAMES
(He embraces ZOSER.)
It's good to see you father.
ZOSER
You were gone for
so long Radames, I was beginning to worry. You weren't
injured in battle?
RADAMES
No.
ZOSER
I kept
telling the princess that no man could best you with a sword.
RADAMES
No man got the better of me. Though a certain
woman might have...
ZOSER
Really?
RADAMES
Listen, beyond the fifth cataract the Nile heads directly toward
Khartoum.
ZOSER
Then we can attack the city by water? Excellent! You recorded the landscape?
RADAMES
With
the maps we made, an illiterate foot soldier could find his way
through Nubia.
ZOSER
And you brought us captives.
Good. Take them to the copper mines. We can't
seem to keep them alive down there.
(ZOSER motions the GUARDS forward)
RADAMES
Stop!
Not this one.
(He takes AIDA from the GUARD.)
I need a gift for the princess.
ZOSER
Yes. She'll be expecting
something.
RHADAMES
Take the others to the Palace Groundskeeper. They can help with the harvest.
(To ZOSER.)
They're
all women. They wouldn't last a day underground.
ZOSER
As you wish. They're your slaves.
(RADAMES turns AIDA
to face him.)
AIDA
Thank you.
RADAMES
Give me your hands, Aida.
MEREB
Your name is Aida?
RADAMES
Mereb.
(To
Aida, taking her chains off.)
I'm going to remove these. But know that if you dare try to escape, I will
come after
you myself.
AIDA
You flatter me, Captain. You don't look like a man who would chase after any
woman.
RADAMES
I'll
make an exception for you.
(To Mereb.)
Mereb, take her to Princess Amneris with my compliments.
(AIDA and MEREB
exit.)
ZOSER
You've been gone six months. I really think a personal appearance is in order.
RADAMES
In
good time, father. Though you and the Princess should know that as soon as
my crew is rested, I am setting out again.
ZOSER
You
can't. Radames, Egypt needs you now. Pharaoh is not the powerful leader
he was when you left.
4. ANOTHER PYRAMID
ZOSER
While
you've been away cavorting
Matters here have moved apace
Now I need you home supporting
All the plans I've put
in place
First of all this means your wedding
You'll recall your future bride
For the way that Pharaoh's heading
Time's no longer on our side
According to the hawk god, Horus
Our most regal invalid
Is not that much
longer for us
Build another pyramid!
RADAMES
You mean Pharaoh has fallen ill? Is it serious?
ZOSER
I'm
afraid so.
RADAMES
I must go to him.
ZOSER
Yes. That will bring him some comfort. I'll see you tonight
at the banquet,
Captain.
There are many who'll be tearful
As our leader fades away
But our architects are
cheerful
And each dog must have its day
If our country is to flourish
Then my son must take the lead
Be
our inspiration, nourish
All our hopes our dreams our creed
Soon our monarch will have filled a
Tomb just
like his fathers did
Summon Egypt's greatest builders
Re: another pyramid
MINISTERS
Build it, build it
Another pyramid
There will be a time for mourning
But for now put plans on hold
MINISTERS
Hold
For
I give the nation warning
That before the corpse is cold
MINISTERS
Cold
ZOSER
We'll extend fair
Egypt's power
Egypt's glory strength and style
We shall have our finest hour
Far beyond the mighty Nile
He
must have a vault that's grand by
Any standards, floor to lid
Put five thousand slaves on stand by
Build another
pyramid!
MINISTERS
Build it, build it
Build it, build it
Build it, build it
Build it-
(DANCE
BREAK)
ZOSER
Someone has been telling Pharaoh about our private meetings.
MINISTERS
Shhhhhhhh
ZOSER
(To
the ACCUSED MINISTER)
Traitor! He's become a liability.
(The other MINISTERS instantly surround the ACCUSED MINISTER.
ASSASSIN
MINISTER crosses to MINISTER, pulls out a knife, and kills him. The Dance
goes into high gear.)
MINISTERS
Build
it, build it
Build it-
(DANCE BREAK)
ZOSER
He must have a vault that's grand by
Any standards, floor
to lid
Put five thousand slaves on stand by
Build another pyramid!
ZOSER
(To one MINISTER)
You extracted
more arsenic?
(MINISTER hands ZOSER a vile of arsenic)
Who would have thought the copper mines would yield such an abundant
supply?
Put some in Pharaoh's wine tonight at the banquet. Again, only a few drops.
We don't want him dying...just
yet.
ACT ONE
Scene Four
HALLWAY IN THE PHARAOH'S PALACE
AIDA appears in a uniform of a Palace Slave.
MEREB
Well
now you look like a handmaiden. But at least the Captain saw that you
are special.
AIDA
What that man sees
and understands could be etched on a grain of sand.
MEREB
That may be, but Radames did save you and the other women
from the copper
mines.
AIDA
That was surprising and decent of him.
MEREB
When I was ten, Radames saved
me from being beaten to death by a palace
guard. He promised he'd look after me from then on. He has kept his promise.
(AIDA
turns away.)
Look, I know what you are thinking...that I've become one of them. But I am
still Nubian. I will always
be Nubian.
AIDA
Of course
5. HOW I KNOW YOU
MEREB
I grew up in your hometown
At least began
to grow
I hadn't got to my first shave
before the body blow
Egyptians in the courtyard
My family in chains
You witnessed our abduction
Which possibly explains
How I know you
How I know you
(MEREB takes AIDA
upstage)
Before that fateful morning
My family enjoyed
A privileged existence
For my father was employed
As advisor to the King no less
Which surely rings a bell
For as your are his daughter
You probably can
tell
How I know you
Yes I know you
AIDA
You know too much and what you say
Is better left unknown
And
now I'm just a slave like you
Our lives our not our own
MEREB
I never have abandoned
And nor I think could
you
That spark of hope for freedom
No terror can subdue
AIDA
My only hope is silence
You've never seen
my face
MEREB
No you remain a princess
In any time or place
AIDA
You don't know me
MEREB
Yes,
I know you
AIDA
You don't know me
MEREB
How I know you
How I know you
Princess...
AIDA
Mereb,
you must treat me like any other slave. If the Egyptians knew I was
the daughter of the Nubian King...
MEREB
They
would kill you. But our people will keep your secret.
AIDA
No. You must not tell anyone who I am. From now on, I
am nothing but a gift
from an Egyptian captain to his Princess.
MEREB
Just so you know, Amneris is more than
that to Radames. She's his betrothed.
AIDA
He's to be married? When?
MEREB
The day his ship sinks and
the royal builders refuse to make him another.
Come; let's get you to the Princess.
ACT ONE
Scene Five
THE
BATHS
Steam begins to fill the stage. WOMEN OF THE PALACE enter wrapped in sheets.
SLAVES stand by with trays of
fruit, oils and cosmetics. We see two girls
swimming.
AMNERIS
(Climbing out of the pool and changing into
robe)
It is such hard work maintaining perfection. But worth the effort, don't you think?
WOMEN
Oh, yes. Definitely
worth it! You're perfect.
AMNERIS
Really? Perfect? Really? Then maybe one of you can explain to me why Radames,
the man destined to be my one and only, is neglecting me?
(AIDA and MEREB enter unseen.)
He's been to see my father.
I hear he's spent time with his father. In fact,
he's probably chummed it up with every withered old man in Egypt. But
clearly, the thought of visiting a ripe young princess, with fabulous hair,
leaves him cold.
(AMERNIS powders
herself.)
MEREB
(Bowing low.)
Princess Amneris - first in beauty, wisdom, and accessories. Captain Radames
has
not forgotten you. He knows you will be at the feast tonight in all your
extravagant finery. And he can hardly wait. But
for now, he sends you this
gift.
AMNERIS
(Turns to see AIDA.)
Another handmaiden? I don't need another handmaiden.
Does this gift have a
name?
AIDA
Aida.
AMNERIS
Did you just speak?
AIDA
My name is Aida,
Princess. And I think you might wish to know...
AMNERIS
How dare you! You do not lower your eyes. You do not tremble.
Are you not
afraid of me?
AIDA
Would it please you if I were?
AMNERIS
Not so much.
AIDA
Then
I am doing as you please.
AMNERIS
True. Well that's true. You started to say something about...
AIDA
Captain
Radames.
AMNERIS
What do you know of the captain?
AIDA
Only that he is well. He suffered no injuries in
battle. I thought you might
want to know that.
AMNERIS
I did. You see I've been so...You're very astute, aren't
you, Aida?
AIDA
Only on occasion. But my true talent lies with a needle. And if you will
allow me, Princess,
I will make you a robe in a shade closer to that of
your eyes. There's a dyeing process I use that makes fabrics glow.
It's a
secret that was passed down by the handmaidens of Queen Neferteti.
AMNERIS
A slave who knows her fabrics?
I'm keeping her! Oh Radames, he knows me. He
really, really knows me. Go, Mereb, show Aida the sewing room.
(AIDA and
MEREB exit.)
All right ladies, let's polish this gem.
6. MY STRONGEST SUIT
AMNERIS WOMEN
In life one
has to face a huge assortment
Of nauseating fads and good advice
There's health and fitness
Diet and deportment
And other pointless forms of sacrifice
Conversation? Wit? I am a doubter
Manners? Charm?
They're no way
to impress
So forget the inner me , observe the outer
I am what I wear and how I dress
Oh now I believe in
looking
Like my time on earth is cooking
Whether polka dotted
Striped or even checked
With the some glamour
guaranteeing
Every fiber on of my being
Is displayed to quite remarkable effect
From your cradle via trousseau
To your deathbed you're on view, so Ah
Never compromise, accept no substitute Ah
I would rather wear a barrel
Ah
Than conservative apparel Ah
For my dress has always been Ah
My strongest suit Ah
Ah
Overwear
Underwear
Anytime
Anywhere
Staying in or hitting town wards
From the top and working downwards Ooh ooh ooh ah
I ensure that every stitch Ooh ooh ooh ah
Is stitched in time Ooh ooh ooh ah
Whether wig or hat or turban
Whether clad boudoir or urban Is stitched in time
Not to strut your stuff Ooh ooh ooh ah
Outrageously's a crime
Ooh ooh ooh ah
Ooh ooh ooh ah
And the few who are invited Such a crime
To my wardrobe are delighted Oooh overwear
As they wander through my things Oooh underwear
To find en route Oooh anytime
We're wandering through your th
That
in negligee or formal Ooh negligee
I am anything but normal Ooh anything but normal normal
Ooh ah
For my dress
has always been
My strongest suit Overwear, underwear
Anytime, anywhere
Overwear, underwear
I am what I wear
Anytime, anywhere
Overwear, underwear
Anytime, anywhere
I said anytime Overwear,underwear
Anytime
Anywhere
Finest
So bring me all my finest Divinest
Most audacious, my divinest
Most revealing
Most expensive
and to boot
Most revealing most
expensive
Most arresting Most arresting
Most heartstopping
Most heartstopping
Most heart-stoping
Most free-flowing Overwear
Most eye-popping Underwear
Most arresting Anytime
Most heart-stopping
Anywhere
Dress has always been Dress has always been
My strongest suit
I am what I wear
My strongest suit
I am what I wear
You know that
I am what I wear I am what I wear
Dress has always been
Dress has always
been My strongest
My strongest My strongest
My strongest My strongest suit My strongest
My strongest My strongest
My stroooooooooongest suit My strongest suit
My strongest suit!
ACT ONE
Scene Six
THE PHARAOH'S
PRIVATE BANQUET ROOM
(Upstage three exotic dancers, preparing for the Palace entertainment, begin
to dance. Downstage
MEREB enters and immediately after, RADAMES searching him
out. They cross the stage.)0
RADAMES
Mereb, was the
Princess please with my gift?
MEREB
Yes. Aida managed to make herself indispensable in record time.
RADAMES
I'm
not surprised. Did she tell you anything about herself? Because, I've
never met a woman like her before. And I can't help
but wonder...
MEREB
No! Nothing! She said nothing.
(MEREB exits quickly. And the THREE DANCING GIRLS sweep
downstage in an
ecstatic display. The music builds. The PHARAOH makes a grand entrance on a
special sedan chair, carried
on shoulders by Palace Servants. He appears
very ill. The stage is set with a long low table filled with delicacies.)
RADAMES
(To
AMNERIS.)
You look lovely tonight.
AMNERIS
Thank you.
RADAMES
Is this the latest fashion?
AMNERIS
It
is now. So your expedition went well?
RADAMES
Oh yes, we got well past Aswan, into territory where no Egyptian has
ever
set foot.
AMNERIS
Really? That sounds very... scenic. Maybe next time I'll go with you.
RADAMES
If
you like, Princess. We sleep with sand mites; live on dried monkey meat;
and this time the water was so tainted we vomited
for days.
AMNERIS
Whew! Then again, I'm pretty busy.
(The dance continues for a bit and dissolves into the
scene with the dancing
girls showing themselves off to the rich and powerful men of Egypt. AIDA is
pouring wine. A
NUBIAN SERVANT passes her.)
NUBIAN
Princess, the word of your arrival has spread through the Nubian camps.
NUBIAN
(Another
NUBIAN slave, dancing with the court dancers, addresses AIDA while
dancing)
Your people cannot wait to see you. Welcome,
welcome.
AIDA
(Calling in MEREB'S direction.)
Mereb!
MEREB
Okay, so I told one person. Maybe two. Princess,
your people need to know.
PHARAOH
(Holding his chalice up for a toast.)
Captain. To a successful expedition.
Thanks to the routes you have
discovered, our troops will now be able to attack Nubia with overwhelming
force. The
Gods willing, this long war shall soon end, with Egypt's complete
and final victory.
(The court drinks to the toast.)
Amneris,
shall I continue?
AMNERIS
What ever you think is best, father.
PHARAOH
Radames. You came to me this morning
with a request to set out on another
journey. But I have a more important mission for you. Although it means you
can
never leave Egyptian soil again, I believe this will be a joyous
assignment. One I would only trust to a man I have long
regarded as a member
of my own family
RADAMES
It has been my privilege to serve you, Your Majesty.
PHARAOH
As
you all know, Captain Radames and my daughter have been betrothed for nine
years now. Long enough, I'd say.
(PHARAOH
laughs, but is stopped by a debilitating coughing attack.)
I want to see her and our nation happily settled before I leave
this world.
Therefore, in seven days, Radames, son of Zoser, will wed the Princess
Amneris. The Son of Isis has spoken.
(AMNERIS
runs to her father's side and shows her appreciation for the
announcement. The men gather and congratulate RADAMES. Suddenly,
PHARAOH has
another attack, coughing uncontrollably. The court gathers around him and
escorts him offstage. ZOSER
and RADAMES are left alone in the banquet hall
with AIDA and another servant.)
ZOSER
A toast to the bridegroom.
If I'd known such an awkward young girl would turn
into such a stunning young woman, I would have offered for her myself.
RADAMES
It's
not too late.
ZOSER
I thought you loved Amneris?
RADAMES
Of course I do. We grew up together.
ZOSER
Then
what is it?
(He waits for an answer.)
Radames I've spent years working toward this day. And you are not going to
ruin
it - not for yourself, or me! Welcome to your new life, son.
7. FORTUNE FAVORS THE BRAVE (Reprise)
RADAMES
Nothing
is an accident
We are free to have it all
We are what we want to be
It's in ourselves to rise or fall
(RADAMES
picks up a goblet from the table.)
This is easy to believe
When distant places call to me
It's harder from
the palace yard
Fortune favors the...
(RADAMES turns upstage and throws the chalice off. AIDA and the SERVANT turn
and begin to walk off.)
RADAMES
(To Aida.)
No, stay...
AIDA
Yes, Captain?
RADAMES
Where
are you from?
AIDA
Ikaita. It a village near...
RADAMES
...near the Second Cataract. The river's an entirely
different color there.
AIDA
No, it's an entirely different color here.
RADAMES
Fair enough.
AIDA
My
father and I use to spend days sailing the Nile. He'd let me choose the
course. And sometimes I'd even run us aground
on purpose... whenever I wanted
to see something on the shore.
RADAMES
Did you ever sail north?
AIDA
No.
My father felt the First Cataract, being so close to the border of Egypt
was too...Was too dangerous a place to take me.
RADAMES
But
there are no Egyptians in the First Cataract. Only these tiny, grassy
islands. And the sunlight is different there. In
Egypt it is direct and
harsh. But there it shimmers. It's the most beautiful place I've ever seen.
AIDA
Of course,
it's Nubia. I would like to see that part of my country.
8. ENCHANTMENT PASSING THROUGH
RADAMES
To sail away
to half discovered places
To see the secrets so few eyes have seen
To see moments of enchantment on our faces
The
moments when we smile and those in between
AIDA
Are you talking about Nubia now?
RADAMES
Yes, in a way.
AIDA
If
I could leave this place then I'd be sailing
To corners of my land where there would be
Sweet southern winds of liberty
prevailing
The beauty so majestic and so free
RADAMES
I will take you sailing. South, you can be my guide.
AIDA
Would
you let me steer?
RADAMES
Would you run us aground?
AIDA
Oh yes. Wherever there are no people. I'd jump
out of the boat, kick off my
sandals and run. And there'd be no one there to scold me and tell me to
behave like a
good...to behave.
RADAMES
There'd be no ties of time and space to bind me
AIDA
And no horizon I could
not pursue
RADAMES
I'd leave the world's misfortunes far behind me
AIDA
I'd put my faith and trust in
something new
RADAMES & AIDA
But why should I tell you this
AIDA
A stranger I just met
RADAMES
A
woman whom I hardly know at all and should forget
RADAMES & AIDA
A journey we can only dream of
Enchantment
passing through
And how is it I say these things
So easily to you
RADAMES
This is meaningless! I'll never
take you sailing. I'm never going to leave
Egypt again. Instead, I'll sit on the throne and send other men off on
their
expeditions.
AIDA
You talk as though you've been enslaved.
RADAMES
Not with chains, maybe, but with a
marriage promise.
(AIDA begins dabbing her eyes with her dress.)
What is that for?
AIDA
To dry my weeping
eyes. Forced to marry a princess? Oh, what hardships. I
know - you want to go to lands where people have been living for
centuries
and say that you "discovered" them. But instead, you're being thrust onto
the Pharaoh's throne. It is a
great tragedy.
RADAMES
You go too far.
AIDA
No! You go too far. If you don't like your fate, change it.
You are your own
master. There are no shackles on you. So don't expect any pity or
understanding from this humble
palace slave.
RADAMES
Stop! I command you to stop!
RADAMES
But why did I tell her this?
A stranger
I've just met
A woman who I hardly know at all and will forget
Anonymous and gone tomorrow
Enchantment passing
through
And all I've done is tell her things
she already knew
She knew ...She knew....
ACT ONE
Scene
Seven
AMNERIS' DRESSING ROOM
AMNERIS sits at her dressing stand, brushing her hair, forcibly. AIDA enters.
AIDA
(Offers
to brush AMNERIS' hair.)
Here, let me.
(AMNERIS hands her the brush. AIDA brushes the Princess' hair.)
How is your
father?
AMNERIS
I don't understand it. This illness of his came on so suddenly. Weeks ago he
was healthy. And
the court physicians, they have no idea what it is. Well,
it was a magnificent feast, though, wasn't it?
AIDA
Yes,
princess.
AMNERIS
Oh, there is so much to do to get ready for the wedding ceremony. From the
bronzed entry statue
of me, to the centerpieces of lilies and roses arranged
to look like... me.
AIDA
It must be difficult.
AMNERIS
Planning
a wedding?
AIDA
No. Being a Princess.
AMNERIS
Oh, you have no idea. The responsibilities are... overwhelming.
AIDA
Your people must expect so much.
AMNERIS
They want a goddess and I'm just...
AIDA
Human.
9.
STRONGEST SUIT (Reprise)
AMNERIS
I may leave a great impression
As I race through a succession
Of the latest
crazes, chase the newest fad
I feel better when beguiling
Find that fashion keeps me smiling
But in my heart I
know it's rather sad
AIDA
That a life of great potential
Is dismissed, inconsequential
AMNERIS
And
only ever seen as being cute
So I'll flutter to deceive
AIDA
Oh no you must believe
That one day you're
bound to find
AIDA & AMNERIS
A Stronger Suit
(RADAMES enters the room, catching AIDA & AMNERIS off
guard.)
AMNERIS
Radames! This is my bedchamber. You can't just... you know you shouldn't...
Aida, leave.
(AIDA
turns to walk out.)
RADAMES
No, stay. Pour the princess a cup of wine.
(AIDA goes to the wine pitcher and
pours the wine.)
AMNERIS
Are you trying to get me drunk, Radames? You know it's not necessary.
RADAMES
Is
that your bed in there?
AMNERIS
Silk covered and fat with feathers.
RADAMES
Why don't you go in and I'll
join you in a moment.
AMNERIS
Radames, are you sure? We're going to be married in a week.
RADAMES
Amneris,
we've been engaged nine years.
AMNERIS
Good point.
(AMNERIS turns and runs offstage.)
RADAMES
You
think you can speak to me like that, scold me like a shrew then walk
away? You forget that I can have you carried off
to the copper mines.
AIDA
And you forget that I am her property now, not yours.
(AIDA turns to leave.)
RADAMES
It
doesn't matter. Because I know now that you were right.
(AIDA gives him a disconcerting look.)
What?
AIDA
I'm
shocked. Even in enlightened Nubia, one never hears a man admit he's
wrong.
AMNERIS
(Offstage.)
Radames,
I'm ready!
RADAMES
(Calling offstage.)
I'll be right in princess.
(He turns back to AIDA.)
Aida, I was
wrong. I have been selfish. If Pharaoh does not recover, Egypt
is going to need a new leader. A strong leader. And I don't
think that is
Amneris.
AMNERIS
(Offstage.)
Radames, your engagement party is waiting.
AIDA
You
should go to her.
RADAMES
Were you a noblewoman before you were captured?
AIDA
What does it matter? There's
nothing noble about me now.
RADAMES
You're wrong. You are noble and courageous. Very few of us dare to speak so
honestly. And considering you're a slave...
AIDA
Yes, we mustn't ever forget that I'm a slave.
RADAMES
I
cannot take back the past, Aida. But even if I could... I'm not sure I
want to. Aida, I -
(AMNERIS interrupts him,
storming into the room wrapped in a sheet.)
AMNERIS
Radames! You barge into my bedchamber, waging a full-frontal
attack, so to
speak... and now you're stalling. Why?
RADAMES
I'm sorry, I didn't realize...
AMNERIS
There's
a buck-naked princess lounging in her bed, calling your name. What
exactly didn't you realize? Before our wedding night,
pack up some of that
dried monkey meat and have the royal cartographer draw you a map of the
female body, Captain.
Maybe then you'll be more inclined to come explore.
(RADAMES looks around and then runs out of the room.)
Was it something
I said? When we were children we understood each other so
well. Now he's a mystery to me.
ACT ONE
Scene Eight
THE
NUBIAN SLAVE CAMP
As AMNERIS exits offstage, the set changes to the Nubian camp. AIDA stands in
the middle of the
stage as MEREB approaches her.
MEREB
Aida, there you are. Will you come with me?
AIDA
Where?
MEREB
The
Nubian camp. Look, everybody knows that I'm the one who can get things.
And our people... They've have asked me to bring
them... you.
AIDA
Why? So they can see a reckless fool dressed as a servant? No that is what I
am, Mereb. My
father told me not to leave the boundaries of our village, but
I could not be so constrained. I took Nehebka and the other
women up the
river. I had to see the countryside. And that's where the Egyptians captured
us. I deserve this. And
our people deserve a leader who thinks of them. Not
of her own selfish pleasures.
MEREB
Aida, the Nubians want
their princess.
10. DANCE OF THE ROBE
AIDA
It's knowing what they want of me that scares me
It's knowing
having followed that I must lead
It's knowing that each person there compares me
To those in my past whom I now succeed
But how can whatever I do for them now
Be enough
Be enough
NUBIANS
Aida! Aida!
All we ask of you
Is a lifetime of service, wisdom, courage
To ask more would be selfish
But nothing less will do
Aida! Aida!
NEHEBKA
You robe should be golden, your robe should be perfect
Instead of this ragged concoction of thread
But may you be moved by its desperate beauty
To give us new life for we'd rather be dead
Than live in the squalor
and shame of the slave
To the dance!
To the dance!
NUBIANS
Aida! Aida!
All we ask of you
All
we ask is a lifetime of
Service, wisdom, courage
To ask more would be selfish
But nothing less will do
Aida!
Aida!
NUBIANS
Aida! Aida!
Aida! Aida! Aida!
AIDA
I know expectations are wild and almost
Beyond
my fulfillment but they won't hear
A word of a doubt or see signs of weakness
My nigh on impossible duty is clear
If I can rekindle my ancestors' dreams
It's enough
It's enough
AIDA
It's enough
NUBIANS
Aida!
NUBIANS
Aida!
Aida!
Aida! Aida! Aida!
AIDA
It's enough
NUBIANS
Ah,ah,ah,ah,ah,ah
(When the song ends, the NUBIAN
give AIDA her robe and she places it on her
head. She is escorted onto the back of another NUBIAN and is carried around
the camp. They exit.)
ACT ONE
Scene Nine
THE NILE'S EDGE
The great washing day. Under the music, a
parade of WOMEN enters with baskets
of laundry on their heads. A ritualistic rhythm takes hold as the linens are
soaked,
wrung and beaten to dry. AIDA enters and joins in the work. RADAMES
enters with a SOLDIER. As they talk, AIDA watches
him covertly. RADAMES
dismisses the SOLDIER.
RADAMES
(To AIDA.)
You were watching me again. All week your
eyes have been on me.
AIDA
What do you mean?
RADAMES
Do you think you're going to gain your freedom, just
because you've gained
my attention? You are beautiful, but I am not so easily led.
AIDA
If I've looked in your
direction, it was only to see if your chalice needed
refilling.
RADAMES
I have no chalice now... and yet you're
looking.
AIDA
(Getting up from the bank, picking up her basket and linens.)
Excuse me, Captain, but I have linen
to wash.
RADAMES
(As AIDA walks away from him, he turns after her.)
I do not excuse you. Stop there.
AIDA
(She
turns to look back at him.)
You wanted something from me?
RADAMES
Oh yes. I want to make your life easier, Aida.
Tell me how. What can I do for
you?
AIDA
Help my people.
RADAMES
I want to help you.
AIDA
I
am my people. And I cannot continue to live in the comfort of the palace
while my countrymen are dying. You want my "affection,"
captain?
RADAMES
I can have your "affection" right here if I command it. I want to know if
you feel anything
for me - aside from contempt.
AIDA
I don't know.
RADAMES
Then let's find out.
(RADAMES kisses AIDA,
she drops her basket; they are stopped when MEREB
enters.)
MEREB
(Shocked at the sight of seeing RADAMES and
AIDA kissing.)
Aida, I just saw - Aida, Amneris requests your presence. The princess...
(To RADAMES.)
...your betrothed.
(AIDA
leaves)
11. NOT ME
RADAMES
I once knew all the answers
I stood on certain ground
A picture of true happiness
Confidence so effortless
No brighter could be found
MEREB
Oh No
RADAMES
I never asked the questions
That trouble me today
I knew all there was to know
Love worn lightly
Put on show
My conquest on display
MEREB
I
can't believe He's changing
And who'd have thought that
Oh, no
Confidence could die?
Not me, Not me
Not
me, not me
That all I took for granted was a lie
Not me, Not me
And who'd have guessed
I'd throw my world
away
To be with someone I'm afraid will say
Not me, not me
This can never
be
(RADAMES exits as the
backdrop rises above the stage.)
MEREB
He's in love
But he's not the only one
Who'll be changed
(AMNERIS
and AIDA enter. AIDA is carrying a piece of cloth. AMNERIS is
carrying an umbrella.)
AIDA
(Showing AMNERIS the
cloth in her hand.)
This would be lovely on you. I'll say this for you Egyptians; your thread
count is amazing.
AMNERIS
Why
hasn't Radames come to see me again? We're to be married in three days
and yet...Aida, I must make things right with him.
AIDA
I
shall not envy lovers
But long for what they share
AMNERIS
An empty room is merciless
Don't be surprised
if I confess
I need some comfort there
AIDA & AMNERIS
And who'd have thought
That love could be so
good?
Not me, not me
And show me things I never understood
Not me, not me
NEHEBKA
(Entering with clothes
and other items.)
Aida.
AIDA
Nehebka, where did you get that?
NEHEBKA
The Egyptian Captain! He's giving
away everything he owns. And he's giving it
all to us.
ACT ONE
Scene Eleven
RADAMES' TENT
NUBIANS
and other Egyptian slaves stand around RADAMES' tent. RADAMES appears
from the tent with a basket of food, and a jug of
wine. MEREB appears with
another basket handing out fruit.
AIDA & AMNERIS
Who'd have guessed he'd
Throw
his world away
To be with someone til his dying day
Not me, not me
RADAMES, AMNERIS, AIDA
And who'd have
thought that love
Could be so good
Not me, not me
My/his secrets &
My/his passions understood
Not me,
not me
Who'd have guessed
I'd/ he throw My/his world away
To be with someone til my/his dying day
Not me/not
me
MEREB
Not me, not me
Not me, not me
This can never be
AMNERIS
Look, he is preparing to move into
the Palace. So, whatever doubts he had the
other night must be gone. But you stay, Aida. Apologize for me.
AIDA
Oh,
no! I can't.
AMNERIS
You can. You always say the right thing. I never do.
AIDA
No princess, please don't
make me.
AMNERIS
I would never make you. But I am asking you, as my friend.
(AMERNIS exits just as RADAMES
spots AIDA.)
AIDA
Thank you.
RADAMES
It was nothing. Actually, it was everything, but it doesn't matter.
AIDA
Captain,
I just came to tell you that the princess is sorry for what she said
the other night. And she wants you to know that...
RADAMES
Aida...
(RADAMES
tries to take AIDA'S hand but she pulls away.)
AIDA
You are betrothed to my mistress!
RADAMES
It was arranged
by my father, and it will be unarranged by me.
AIDA
You could raid another country tomorrow and rebuild your fortune.
Radames,
you're an Egyptian! Nothing will ever change that fact. I don't even know
why you bothered to do this.
RADAMES
Don't
you?
12. ELABORATE LIVES
We all lead such elaborate lives
wild ambitions in our sights
How an affair
of the heart survives
days apart and hurried nights
Seems quite unbelievable to me
I don't want to live like that
seems quite unbelievable to me
I don't want to love like that
I just want our time to be
slower and gentler,
wiser, free
We all live in extravagant times
playing games we can't all win
Unintended emotional crimes
Take
some out, take others in
I'm so tired of all were going through
I don't want to live like that
I'm so tired
of all were going through
I don't want to love like that
I just want to be with you
Now and forever , peaceful,
true
This may not be the moment
to tell you face to face
But I could wait forever
for the perfect time and
place
AIDA & RADAMES
We all lead such elaborate lives
We don't know whose words are true
Strangers,
lovers, husbands, wives
Hard to know who's loving who
AIDA
Too many choices tear us apart
I don't want
to live like that
RADAMES
Too many choices tear us apart
I don't want to love like that
I just want to
touch your heart
May this confession
RADAMES & AIDA
Be the start
(They kiss. The lights fade out.
When the lights come up they are in each
other's arms.)
RADAMES
Are you cold?
AIDA
You could have
at least kept a blanket.
RADAMES
No. I could not. Man enters this world naked, without possessions. I want to
be
a new man for you, Aida. Cleansed of my past sins.
(Drums sound from offstage.)
AIDA
What is it?
RADAMES
My
armies have returned. Pharaoh will expect a victory celebration. Go back
to the palace. You'll be safe there.
(He gets
up and puts his shirt back on. He begins to walk away and then
turns back.)
Wait, take my amulet. If anyone stops you,
show them this and they'll let
you pass.
(He starts to leave again.)
AIDA
I love you.
RADAMES
I
heard that. Say it again. I command you. I command...
(SOLDIER enters.)
SOLDIER
Captain!
(AIDA turns
her face away from the SOLDIER.)
RADAMES
I heard the drums.
SOLDIER
But we have captured the Nubian King!
RADAMES
The
king? You have taken him alive? Find out which men are responsible for
this. I'll see they receive the highest honors.
Tell the others I'm on my way.
SOLDIER
Yes, Captain.
RADAMES
(He sees AIDA is upset by the news.)
Aida,
our countries are at war. I can't change that.
AIDA
But he's my...He's my king.
(AIDA begins to cry as RADAMES
exits.)
ACT ONE
Scene Twelve
THE NUBIAN SLAVE CAMP
She leaves him. RADAMES realizes what he's done - and
hates himself for it.
A crowd of Nubians appear and circle AIDA. The light changes and we are at
the Nubian Slave
Camp.
NEHEBKA
Princess - say it's not true!
MALE NUBIAN #1
I saw our king dragged through the streets
with my own eyes.
FEMALE NUBIAN #1
I heard they've already executed him.
MALE NUBIAN #2
And they are carrying
his head through the street on the end of a spike.
AIDA
No, No!
MEREB
Amonasro of Nubia is alive. I saw
him taken to the prison.
NEHEBKA
But it's only a matter of time before the Egyptians slaughter him.
MALE
NUBIAN #1
I always imagined that your father would march upon Egypt in triumph. But now
we have no hope. When the king
dies - so does Nubia.
AIDA
Nubia will never die! Whether we are enslaved or whether we are far from our
native
soil, Nubia lives in our hearts. And therefore, it lives.
13. THE GOD'S LOVE NUBIA
Take me in my dreams recurring
Cheerful as a childhood dance
Into one more taste of freedom
One more longing backward glance
In the sway
of somber music
I shall never, never understand
Let me slip into the sweeter
Chorus of that other land
The
gods love Nubia, the beautiful, the golden
The radiant, the fertile, the gentle and the blessed
The pain of Nubia
is only for the moment
the desolate the suffering
the plundered, the oppressed
NEHEBKA
The gods love Nubia,
their glorious creation
Its songs roll sweetly across the harvest plain
NEHEBKA & AIDA
The tears of Nubia,
a passing aberration
They wash into the river and are never cried again
AIDA, NEHEBKA, MEREB & NUBIAN WOMEN
The
gods love Nubia, we have to keep believing
The scattered and divided, we are still it's heart
AIDA
The fall
of Nubia, ephemeral and fleeting
The spirit always burning though the flesh is torn apart.
ALL
The fall of
Nubia
Ephemeral and fleeting
The spirit always burning
Though the flesh is torn apart
Take me in my dreams
recurring
Cheerful as a childhood dance
Into one more taste of freedom
One more longing backward glance
The
gods love Nubia, the beautiful, the golden
The radiant, the fertile, the gentle and the blessed
The pain of Nubia
is only for the moment
the desolate the suffering
the plundered, the oppressed
The gods love Nubia
we
have to keep believing
Though scattered and divided we are still it's heart
The fall of Nubia ephemeral and fleeting
the spirit always
Burning though the flesh is torn apart
The spirit always burning though the flesh is torn apart
AIDA
Apart
AIDA & NUBIANS
Take me in my dreams recurring
One more longing backward glance
END
OF ACT ONE
ACT TWO
Scene One
STARSCAPE
AIDA, RADAMES and AMNERIS are alone in their thoughts, frozen in
separate
places. The laser forms the triangle around them.
14. A STEP TOO FAR
AMNERIS
It's so strange
he doesn't show me
more affection than he needs
Almost formal too respectful
never takes romantic leads
There
are times when I imagine
I'm not always on his mind
He's not thinking what I'm thinking
Always half a step behind
Always half a step behind
Oh,oh,oh,oh
Oh,oh,oh,oh
Oh,oh,oh,oh
RADAMES
I'm in every kind of trouble
Can't you tell, just look at me
Half ecstatic, half dejected
All in all I'm all at sea
Easy terms I thought
I wanted
Fill me now with chilling dread
You could never know the chaos
Of a life turned on its head
Of a
life turned on its head
Oh,oh,oh,oh
RADAMES & AMNERIS
Oh,oh,oh,oh
Oh,oh,oh,oh
Oh,oh,oh,oh
AIDA
I
am certain that I love him
But a love can be misplaced
Have I compromised my people
In my passion and my haste?
I could be his life companion
Anywhere but where we are
Am I leader? Am I traitor?
Did I take a step too far?
AMNERIS
It's
so strange he doesn't show me
more affection than he needs
Almost formal too respectful
never takes romantic leads
There are times when I imagine
I'm not always on his mind
He's not thinking what I'm thinking
Always half
a step behind
Always half a step behind
RADAMES
I'm in every kind of trouble
Can't you tell, just look
at me
Half ecstatic,half dejected
All in all I'm all at sea
Easy terms I thought I wanted
Fill me now with
chilling dread
You could never know the chaos
Of a life turned on it's head
Of a life turned on it's head
AIDA
I
am certain that I love him
But a love can be misplaced
Have I compromised my people
In my passion and my haste?
I could be his life companion
Anywhere but where we are
Am I leader? Am I traitor?
AIDA
Oh,oh,oh,oh
AIDA & RADAMES
Oh,oh,oh,oh
AIDA, RADAMES & AMNERIS
Oh,oh,oh,oh
Oh,oh,oh,oh
Oh,oh,oh,oh
Oh,oh,oh,oh
Oh,oh,oh,oh
Did I take a step too far!
ACT TWO
Scene Two
THE PRISON
The lights
change and the set transforms to a prison cell. AIDA and MEREB
are with a GUARD. MEREB glances around and hands the GUARD
a sack of gold.
MEREB
A word with the prisoner.
GUARD
Alright, Mereb. But be quick about it.
(Guard
exits. AIDA and MEREB enter the cell.)
AIDA
Father?
AMONASRO
Aida? I knew you would survive. That I trained
my daughter well. At least,
I would not allow myself to believe anything else.
AIDA
Have they mistreated you?
AMONASRO
No,
I believe they are saving that part for my execution... Three days from
now.
AIDA
It won't come to that. We'll
get you out of here.
MEREB
In two days, the daughter of the Pharaoh will wed. Most of the guards will be
needed
to control the crowds
AMONASRO
And who is this young Minister of War?
AIDA
This is Mereb. You remember...
Henu's boy.
AMONASRO
Henu. Your father was a great warrior. He had hopes you would grow up to be a
scholar.
MEREB
Sire.
The chief jailor will attend Amneris' wedding. They've assigned a lowly
guard to take his place - a man I know.
AMONASRO
You
are suggesting you may be able to bribe this guard?
MEREB
Let's just say, we've done business in the past.
AIDA
That
would take a lot of gold
MEREB
I have it. For years I've been stealing from the palace. I thought maybe,
someday,
I could use it to get back to Nubia. But if I can send my King
home...
AMONASRO
We will all be going home soon,
Mereb. Now, how are the docks guarded?
MEREB
By the Captain's soldiers.
AMONASRO
So the odds are slim.
Can you use a sword, boy?
MEREB
Me? Actually I'm better at providing encouragement from the sidelines.
AIDA
A
fight won't be necessary. They'll let us through.
(Aida takes out the amulet RADAMES gave her. MEREB gasps.)
MEREB
Captain
Radames gave you that?
AMONASRO
Who is this Captain? An Egyptian?
AIDA
Yes, but he's not like the others,
father.
AMONASRO
He leads Pharaoh's army, and he did not lay waste to our country like the
others?
AIDA
He
regrets his past.
AMONASRO
Aida! Do not shame yourself and me with such witless sentiment. Do not tell
me this
Egyptian grieves for the Nubian men executed, the women ravaged,
and the children taken into slavery. Any soft look you
have given this
Captain, any soft word, betrays the innocents who suffered at his hands and
at the hands of every
soldier he commands. You will cut this man from your
heart.
AIDA
Yes, Father
AMONASRO
I would not
have thought it possible that these Egyptians could give me one
more reason to hate them.
15. EASY AS LIFE
AIDA
This
is the moment when the gods expect me
To beg for help but I won't even try
I want nothing in this world but myself
to protect me
But I won't lie down, roll over and die
All I have to do is to forget how much I love him
All I
have to do is put my longing to one side
Tell myself that love's an ever-changing situation
Passion would have cooled
and all the magic would have died
It's easy, it's easy
All I have to do is to pretend I never knew him
On
those very rare occasions when he steals into my heart
Better to have lost him when the ties were barely binding
Better
the contempt of the familiar cannot start
It's easy, It's easy
Until I think about him as he was when I last touched
him
And how he would have been were I to be with him today
Those very rare occasions don't let up they keep on coming
All I ever wanted and I'm throwing it away
It's easy, it's easy as life
But then I see the faces of a worn
, defeated people
A father and a nation who won't let a coward run
is this how the gods reward the faithful through
the ages ?
Forcing us to prove the hardest things we've done
Are easy
So easy
And though I'll think about
him 'til the earth draws in around me
And though I choose to leave him for another kind of love
This is no denial,
no betrayal but redemption
Redeemed in my own eyes and in the pantheon above
It's easy
It's easy as life
It's
easy as life
It's easy as life
ACT TWO
Scene Three
THE WAR ROOM OF THE PALACE
ZOSER is showing AMNERIS
a giant map of the Nile.
AMNERIS
But why did we invade Babylon?
ZOSER
Because once we have control of
the waterways, the rest of the world opens up
for us.
AMNERIS
Yes, but our Egyptian armies just stormed in and
seized power? How oppressive
of us.
ZOSER
Perhaps, Princess. But where do you think that beautiful necklace
came from?
(He points to her necklace. AMNERIS looks down at it, then removes it,
placing it on Zoser's table.)
AMNERIS
Suddenly
it's not so beautiful
(RADAMES enters.)
ZOSER
I've been explaining our foreign campaigns to Amneris.
RADAMES
Really?
ZOSER
Yes.
Because she wanted to know what's been preoccupying you of late.
AMNERIS
Radames, I feel like we haven't had a moment
along since you returned from
Nubia. I miss you. Can't we spend this afternoon together?
RADAMES
Of course.
Of course, we can. But first, I'd like to have a word with my
father.
(He takes a scroll from the table and hands it
to AMNERIS.)
Here, you can read this while you wait.
AMNERIS
"The Campaign at Kadesh."
RADAMES
It will
give us something to talk about.
AMNERIS
I didn't realize we were at a loss for topics. But then there's a lot I
haven't realized
(AMNERIS exits.)
RADAMES
That was clever of you.
ZOSER
I can't have you neglecting
the girl. Not after all the trouble I've gone to.
RADAMES
You arranged a marriage.
ZOSER
There have been
other arrangements as well, son. Things I've done on your
behalf.
RADAMES
I haven't asked you to do anything
for me!
ZOSER
No you're right, you haven't because you've been too busy whiling away the
hours with that slave
girl.
RADAMES
Oh, your spies are good.
ZOSER
Radames, you can have your little diversion, just wait until
after you've wed.
RADAMES
Like you did?
ZOSER
Your mother never had any complaints.
RADAMES
She
never had any choice.
ZOSER
Don't you realize that whore could cost you the throne?
RADAMES
I don't care
about the throne, father. Because I'm not like you. And I never
will be.
16. LIKE FATHER, LIKE SON
ZOSER
Don't
come on so cocksure boy, you can't escape your genes
No point in feeling pure boy, your background intervenes
Listen
good and listen straight, you're not the master of your fate
To this you must be reconciled; you'll always be your father's
child
At times acclaimed, at times reviled
You'll wind up doing just what I've done
Like father, like son
RADAMES
Don't
assume your vices get handed down the line
That a parent's blood suffices to condemn the child's design
I've done
wrong, I can't deny, but at least I know that I
Shouldn't blame that on my stock, this may come as quite a shock
I'm
no chip off any block, I wouldn't wish those words on anyone
Like father, like son
ZOSER
Son you're nervous,
take my hand
All is settled, all is planned
You've got the world at your command
I don't think you understand
Do you really want to throw away your future? All for some wretched slave!
RADAMES
She has a name!
ZOSER
In
a few months, you won't even be able to remember her name!
RADAMES
I appreciate too well
The squalor at which
you excel
it isn't very hard to tell
Evil's a distinctive smell
You can forget about your plans, father. There
will be no wedding!
(RADAMES storms off, leaving ZOSER horrified.)
ZOSER
He's lost all sense of reason, and
why?
Some foreign slut
Not only is that treason,
Some doors are slamming shut
Just like me he's found that
flesh can excite but will enmesh
Once we rid him of this blight.
Once this harlot's out of sight.
Then I think
he'll see the light.
He won't walk back to daddy he will run.
Like father, like son...
ZOSER & MINISTERS
Like
Father, like son
Like Father, like son
Like Father, like
ZOSER
Son
(ZOSER turns to his men.)
Find the
slave girl called Aida. And when you do...kill her.
ACT TWO
Scene Four
NUBIAN SLAVE CAMP
AIDA stands alone.
Suddenly a slave woman appears outside the fence. She
slips AIDA a folded note and disappears. AIDA begins to read and
RADAMES
appears in her imagination.
17. RADAMES' LETTER
RADAMES
I'm sorry for everything I've said
And
for anything I forgot to say too
When things get so complicated
I stumble at best muddle through
I wish that our
lives could be simple
I don't want the world only you
Oh I wish I could tell you this face to face
But there's
never the time never the place
So this letter will have to do
I love you....
(A crowd of NUBIANS circle AIDA.
AIDA hides the letter in the bosom of her
dress as RADAMES moves back and disappears.)
MEREB
Tomorrow Princess,
you and your father will be free!
NEHEBKA
We will live to tell our grandchildren of the King's great escape!
MEREB
Nubia
will prevail! Quiet!
(Suddenly two GUARDS storm into the Nubian encampment. MEREB backs off while
others push AIDA
back into the crowd. Protectively, the Nubians surround AIDA,
hiding her.)
GUARD #1
We are here for Aida. Which
one is she?
(Before AIDA can speak, a Nubian man clamps a hand over her mouth. More
NUBIANS block her from view.
NEHEBKA steps forward.)
NEHEBKA
I am Aida!
(The guards drag NEHEBKA away. AIDA struggles to free herself.
But the
Nubians hold her until the guards are gone.)
MALE NUBIAN #1
Forgive us, Princess. But you cannot be
sacrificed. Every person here would
risk their life for Nubia.
(The NUBIANS begin a dance of anguish. AIDA is horrified,
but she sees what
her role is to be. She stumbles away. MEREB follows her.)
MEREB
Where are you going?
(She
doesn't answer and she can't look at him.)
MEREB
You're going to meet him, aren't you?
AIDA
Mereb, I do
not ask you to understand. I do not understand. I must meet him -
MEREB
No.
AIDA
But I do. I have to see
him -
MEREB
(With the rage of the newly converted.)
No! No! You cannot give yourself to him. The Egyptians have
taken enough from
us already. You are our Princess, our inspiration, our promise of a new day.
AIDA
I'm sorry,
Mereb.
(She runs off, MEREB watches her go.)
18. HOW I KNOW YOU (Reprise)
MEREB
There is a time
there
is a place
When love should conquer all
The rest of life is pushed aside
as truth and reason fall
But only
if that selfishness
can lead to something good
I thought I knew you princess
But I never understood
I don't
know you
I don't know you
ACT TWO
Scene Five
RADAMES' GARDEN
RADAMES walks the Nile. AIDA enters.
They stare at each other for a moment
then embrace passionately.
RADAMES
Aida! I thought you were...
AIDA
They
came for me. But they took another. I blame myself.
RADAMES
No. I put you in danger. But I swear, it will never
happen again. I'm calling
off the wedding. I am going to build you a house on an island at the border
of our countries.
And we will sail the Nile.
AIDA
Oh Radames -
(She stops herself short, realizes this foils her father's escape
plans.)
No! You can't. You can't call of the wedding!
(AIDA pulls out of RADAMES' arms and steps away.)
RADAMES
Yes,
I can. And I will.
AIDA
I love you, Radames. But you must marry the princess tomorrow. Tomorrow. What
you want
for us is impossible. They would hunt us down. It is a foolish plan.
RADAMES
I will find a way for us to be together.
19.
WRITTEN IN THE STARS
AIDA
I am here to tell you we can never meet again
Simple really, isn't it, a word or two
and then
A lifetime of not knowing where or how or why or when
You think of me or speak of me and wonder what befell
That someone you once loved so long ago so well
RADAMES
Never wonder what I'll feel as living shuffles by
You
don't have to ask me and I need not reply
Every moment of my life from now until I die
I will think or dream of you
and fail to understand
How a perfect love can be confounded out of hand
Is it written in the stars
Are we paying
for some crime
Is that all that we are good for
Just a stretch of mortal time
Or some God's experiment
In
which we have no say
In which we're given paradise
But only for a day
AIDA
Marry the Princess, Radames.
You can help my people. This could be our chance
to do something important. Don't you see? It may be the whole reason
we met.
RADAMES
Then it would be a cruel trick!
AIDA
Not if the Gods put us together for some greater
purpose.
Nothing can be altered, there is nothing to decide
No escape, no change of heart, nor anyplace to hide
RADAMES
You are all I'll ever want, but this I am denied
Sometimes in my darkest thoughts, I wish I'd never
learned
AIDA & RADAMES
What it is to be in love and have that love returned
AIDA
Is it written in
the stars
Are we paying for some crime
Is that all that we are good for
Just a stretch of mortal time
AIDA
& RADAMES
For some God's experiment
In which we have no say
In which we're given paradise
But only for
a day
RADAMES
I will do what you ask of me. But you must also do something for me. Go home,
leave Egypt forever.
AIDA
What
are you saying?
RADAMES
While I am taking my wedding vows, there will be a boat waiting for you at
the docks
to return you to Nubia. At least I will have a message of happiness
knowing you are free.
(RADAMES kisses AIDA
one last time and leaves. AIDA looks to the sky...
knowing her gods have provided a way. The irony of it nearly breaks
her in
two. She exits in the opposite direction. AMNERIS emerges from the shadows.
She has seen everything.)
20.
I KNOW THE TRUTH
AMNERIS
How did I come to this?
How did I slip and fall?
How did I throw half a lifetime
away
Without any thought at all?
This should have been my time
It's over, it never began
I closed my eyes
to so much for so long
and I no longer can
I try to blame it on fortune
Some kind of shift in a star
But
I know the truth and it haunts me
it's flown just a little too far
I know the truth and it mocks me
I know the
truth and it shocks me
It's flown just a little too far.
ACT TWO
Scene Six
AMNERIS' DRESSING ROOM
AMNERIS
is dressed for her wedding by four handmaidens. They present her with
a fantastic wedding gown. She stands lifeless, still
reeling from the shock
of what she witnessed.
Why do I want him still?
Why when there's nothing there?
How
to go on with the rest of my life
To pretend I don't care
This should've been my time
It's over-It never began
I closed my eyes to so much for so long
and I no longer can
I try to blame it on fortune
Some kind of
twist in my fate
But I know the truth and it haunts me
I learned it a little too late
Oh I know the truth
and it mocks me
I know the truth and it shocks me
I learned it a little too late
Too late
(AMNERIS is
now fully dressed and stands there like a painted life-sized doll.)
ACT TWO
Scene Seven
THE ROYAL WEDDING
Flower
petals fall from the heavens. ZOSER, MINISTERS and FOUR LADIES OF THE
PALACE are in attendance. RADAMES takes his place
at AMNERIS' side. He looks
as numb and duty bound. The PHARAOH, sicker than ever, presides.
PHARAOH
As witnessed
by the Gods and all of Egypt, I pronounce you man and wife. May
your lives be filled forever with the joy of this moment.
GUARD
#1
Your majesty, the Nubian King has escaped!
PHARAOH
Radames, call your men to arms.
RADAMES
Fan out
across the city!
ZOSER
The fastest route to Nubia is by water. Send a regiment to search the docks.
RADAMES
(Remembers
AIDA.)
No! Seal off the docks!
ZOSER
But...
RADAMES
No one must reach the pier before I arrive there.
(Chaos
ensues. The dissipation of the wedding ceremony dissolves into the
next sequence.)
ACT TWO
Scene Eight
THE
DOCKS
A small boat floats at the water's edge. It is tied to the dock by a heavy
rope. AIDA enters, wearing RADAMES'
amulet around her neck. MEREB enters
with AMONASRO.
MEREB
Princess, we must hurry. They've sounded the alarm.
(AMONASRO
climbs into the boat as RADAMES appears.)
AIDA
Radames!
AMONASRO
Aida! Undo the rope.
AIDA
Forgive
me Father, but I need one last moment with him.
AMONASRO
Daughter!
(She leaps out of the boat and runs to
RADAMES. He puts it together.)
RADAMES
Of course, you're the Nubian Princess. And you had me marry Amneris just
so
your king could escape. What a fool I am. It was all a lie. An act. Every
word. Every kiss.
AIDA
No!
But I have made too many mistakes and too many people have suffered. I
could not act selfishly now.
RADAMES
So
you lied to me?
AIDA
Not when I said I love you. Say you believe me.
(As RADAMES struggles to find the answer,
ZOSER appears on the rise.)
ZOSER
(Shocked to see AIDA. To one of the GUARDS.)
She's alive?
(MEREB rushes
forward. He stands in front of ZOSER, brandishing a sword.)
MEREB
Stop there!
(MEREB and GUARD fight! MEREB
cuts down the GUARD.)
AMONASRO
Aida, come!
RADAMES
Aida, get in the boat! This is your last chance.
(ZOSER
pulls his sword and cuts MEREB down.)
AIDA
MEREB!
(AIDA pulls away from RADAMES and runs to MEREB. RADAMES
takes MEREB'S sword
and lifts it high above the rope that secures the boat.)
ZOSER
Radames! For the love of
Egypt stop them!
(RADAMES brings his sword down on the rope...severing it.)
NOOOOO!
AMONASRO
AIDA!
(The
boat is swept away.)
ZOSER
Radames! What have you done?
RADAMES
It's all over, Father. When they come
for me, they'll take you away too.
ZOSER
No - that can't happen - Egypt needs me -
RADAMES
You're the
one who tied our fates together. Like father, like son. I think
you should run.
(ZOSER exits.)
AIDA
Radames.
He's...
MEREB
Forgive me, Princess. I failed you.
AIDA
No...never! You, Mereb, inspired me.
MEREB
I
wanted to go back to Nubia. Aida, take me home.
(AIDA holds MEREB as he dies. RADAMES moves forward and lifts AIDA
into his
arms as the guards surround them.)
ACT TWO
Scene Nine
THE JUDGEMENT HALL
AMNERIS approaches
RADAMES and AIDA as the GUARDS pull them apart to put
chains on them, AIDA is dragged to stage left, leaving RADAMES and
AMNERIS
in the center.
RADAMES
Amneris. I never meant to hurt you.
(Suddenly drums sound, announcing
PHARAOH'S arrival. MINISTERS and SOLDIERS
begin to file on upstage. AMNERIS is panicked.)
AMNERIS
Radames, if
you deny everything there is a chance. My father might spare your
life. Listen to me, they want to bury you alive.
RADAMES
Yes.
That's what we do to traitors.
AMNERIS
You must say that everyone is wrongs and -
RADAMES
No, I can't.
Aida is everything I thought I was meant to be. But her courage
and her love for her people have put me to shame. Every
act of my life has
been wrong, except for this.
AMNERIS
Did you ever love me at all?
RADAMES
Amneris.
(He
touches her cheek gently.)
I've loved you all my life.
(The GUARD drags RADAMES away, pushing him to stage right.
On stage left, a
GUARD forces AIDA to her knees. Angrily, AMNERIS calls to him.)
AMNERIS
Take your hands off
her!
(AMNERIS crosses to AIDA.)
After all, she is a Princess.
(The GUARD backs away, leaving AIDA standing.)
AIDA
Amneris,
there were so many times I wanted to tell you everything, but I
couldn't.
AMNERIS
No wonder you understood me
so well.
AIDA
Amneris, you must believe me. I am to blame for what has happened. Not
Radames. Please, let him
live. Amneris let him live.
AMNERIS
I can't.
AIDA
Yes, you can. You love him! Don't you love him?
PHARAOH
Amneris
let us begin. Bring forth the prisoners.
(AIDA and RADAMES are pushed forward. To AMNERIS.)
Zoser has been apprehended,
and we have uncovered his plot. Radames, I chose
you. I trusted your father. Now I will make things right while I still
can.
(PHARAOH turns to the assembly.)
The criminals will receive their sentences!
AMNERIS
Father, I have a
request.
PHARAOH
A request?
AMNERIS
I know the traitors must die for crimes against Egypt. This is the
law. But I
would ask...that the prisoners be allowed to die together.
PHARAOH
But that would be mercy - after
they disgraced you before the entire nation.
AMNERIS
I was wronged. It should be my decision.
PHARAOH
You
don't know your own mind.
(A pronouncement.)
For their crimes, the traitors -
AMNERIS
Your Majesty, you have
poison in your blood. We both know this. Soon I will
be completely alone, because everyone I love will be gone. So you
must allow
me to exercise my will over Egypt. Because I am to be your successor. And
because I demand it.
(PHARAOH
studies AMNERIS a long moment, then nods and waves her forward.)
AMNERIS
(To the PEOPLE.)
For their crimes, the
traitors will be buried beneath the sands of Egypt, in
one tomb...together. The Daughter of Isis has spoken.
(AMNERIS
turns and runs off, unable to watch. The music begins and AIDA and
RADAMES are isolated. Behind them, the Judgment Hall
disappears.)
21. ELABORATE LIVES (Reprise)
AIDA
We all lead such elaborate lives
Wild ambitions in our
sights
How an affair of the heart survives
Days apart and hurried nights
Seems quite unbelievable to me
I
don't want to live like that
Seems quite unbelievable to me
I don't want to love like that
I just want our time
to be
Slower and gentler, wiser, free
We all live in extravagant times
Playing games
we can't all win
Unintended emotional crimes
take some out take others in
Too many choices tear us apart
I don't want to
live like that
Too many choices tear us apart
I don't want to love like that
I just want to keep your heart
May
this confession be the start
I know you'll give me courage
to face what I must face
with all these complications
in another time and place
AIDA & RADAMES
We all lead such elaborate lives
We don't know whose words
are true
An affair of the heart survives
All the pain the world can do
RADAMES
I'm so tired of all we're
going through
I don't want to live like that
AIDA
I'm so tired of all we're going through
I don't want
to love like that
I just want to be with you
Now and forever peaceful, true
ACT TWO
Scene Ten
THE INTERIOR
OF THE TOMB
The tomb comes forward. GUARDS force AIDA and RADAMES into the tomb.
AIDA
It's so dark.
RADAMES
Give
me your hand. I'm right here with you. There is another world waiting
for us, Aida. I can feel it. The way I always knew
there was a world beyond
every bend in the Nile. Just waiting to be discovered.
AIDA
You will find me in that
world?
RADAMES
If I have to search for a hundred life times, I will find you again, Aida.
22. ENCHANTMENT
PASSING THROUGH (Reprise)
RADAMES
There'll be no ties of time and space to bind us
AIDA
And no horizon
we shall not pursue
RADAMES & AIDA
We'll leave the world's misfortunes far behind us
And I will put my
faith and trust in you
ACT TWO
Epilogue
THE MUSEUM
As the iris closes to reveal a single tiny shaft of
light; a starburst and
then the entire stage is filled with stars. AMNERIS enters, dressed as in
the Prologue ...
PHARAOH OF EGYPT. AMNERIS sings.
23. EVERY STORY (Reprise)
AMNERIS
From deep within a tomb
A gentle light
still shone
Showing me my path
As I ascended to the throne
Certain in my heart
That ancient wars must cease
The lovers' deaths gave birth
to a reign of peace
And their story
And my journey
And the lesson they
provide
Draw their strength and inspiration
from a love that never dies
(We are returning to our own time
and the museum of the Prologue. Once again,
the contemporary crowd gathers around various exhibits. The man and the woman
circle the model of the tomb. Yes, they know this place. They look up.
Their eyes meet. The man and woman move towards
each other. FADE TO BLACK)
|
|
|